Rick reminds Ronald that they never take girls who will be missed. He then goes on to say that the girls they take are the " dirty, gummy, scummy" kind. Now we don't know about you but, what a woman decides to do with her own body does not make it okay for them to be kidnapped or called dirty, and gummy scummy. State Patrolman Rick is an asshole and his rhymes are annoying the shit out of us. Cody And Cassie
Apparently Cody and Cassie's relationship meant more than Cassie let on. Jenny once again confronts a concerned Cassie about Cody and their relationship. While they are conversing, she reminds Cassie that Cody is an alcoholic which was shocking to hear but felt a bit odd to just toss in as an afterthought. She then asks what Cody's state of mind was when he left after talking to Cassie. We were a little confused by this only because there was nothing in the Big Sky "Pilot" to indicate that Cassie and Cody saw each other prior to him going missing. Made us question if we had missed something.
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Big Sky 1×02 "Nowhere To Run" picked up right where the "Pilot" left off after that wild WTF ending. This episode was a bit milder in the shock department. It's time to discuss everything. Here we go! Buried Secrets
Well, if you were hoping that Cody by some miracle survived being shot by State Patrolman Rick, Big Sky "Nowhere to Run" quickly shuts that down. The episode opens with Rick standing by as Ronald buries Cody's truck in a deep ditch. We can only assume that Cody's body is also in there. Not only is Cody's truck in the ditch-when the shot goes wide, we see that Danielle and Grace's car is also being buried. That definitely can't be good. After burying the vehicles, Ronald and Rick have a conversation and we finally learn how the two of them are connected. Turns out Rick's ex wife Sally is Ronalds cousin. Now that this question is answered, we want the next one answered as to how, and why they started taking young girls. Rick talks to Ronald about all the ways he has messed things up with what he's done.
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Oh yeah, there are countless similarities between TD and Ellroy's novels and you mentioned some good ones. I immediately thought about The Big Nowhere as soon as they introduced the spooky new-age therapist with his plastic surgery sideline. Farrell's unbalanced, morally-compromised character also seems like hes straight out of Ellroy's LA quartet or Underworld USA trilogy. In fact, one of the most consistent themes in Ellroy's stuff is the idea that sometimes the bad man is the right detective for the job. Rust echoes this idea during one of his conversations with Marty in season 1, stating that "the world needs bad men. " Sure enough, Rust's violent, drug-addled past end up making him the right guy to take down Ladeux and Childress.
More noir bombast from Ellroy ( The Black Dahlia, etc. ), who sets this cops, Commies, crooks, and creeps saga in 1950 L. A. When upright, uptight Sheriff's Deputy Danny Upshaw catches the squeal, it's particularly gruesome: someone removed the victim's eyes, ejaculated into the sockets, shredded his back with a "Zoot Stick, " then chomped on the innards with wolverine teeth. Three more murders, same M. O., follow, but Danny's investigation is slowed by his assignment to a grand jury team investigating the Commie menace in the UAES (United Alliance of Extras and Stagehands), including rich, nympho Claire DeHaven, her "queer" actor fiance Reynolds Loftis, and their left-wing pals. With HUAC tactics—blackmail, mostly—much of Hollywood's homosexual community is threatened, while the emerging Teamsters Union under Mickey Cohen is bashing heads and panel member Lt. Dudley Smith—with a murder of his own to keep under wraps—is making sure that Danny's investigation goes nowhere. Still, there are leads: to Loftis; to a Hollywood agent who arranged "pansy" parties; to jive musicians; to a plastic surgeon; and to the official Communist Party psychiatrist.
Gerald Petievich, author of To Live and Die in L. A., praised the book, saying, "THE BIG NOWHERE is a startling panorama of Los Angeles in the fifties. Through the eyes of some unforgettable, two-fisted cops we are taken from the Katydid Club to the Sunset Strip where the legendary crimelord Mickey Cohen buys the the D. This is a compelling piece. " Rave Reviews wrote, "James Ellroy's The Black Dahlia rocked the literary world last year. Now he's back with an even more powerful and compelling novel of greed, dark passion, and Ellroy has gone from one of the most impressive crime writers of the 1980s to a major literary voice of the twentieth century. THE BIG NOWHERE is a masterpiece-a powerful and disturbing novel no one should miss. " While "The Big Nowhere" was praised for being engrossing and atmospheric, [1] it was also criticized for the "unrelenting negative stereotypes" depicted in the gay and minority characters. [2] The Big Nowhere also won Ellroy the Prix Mystère Award, in 1990.